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Ramsey Campbell is a British writer considered by a number of critics to be one of the great masters of horror fiction. T. E. D. Klein has written that “Campbell reigns supreme in the field today,” while S. T. Joshi has said that “future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood.”

Says Campbell: “It can be argued that my timidity or at least my restraint is why I remain. I’ve never gone for broke and tried to write the most horrifying tale I can concoct, because I don’t quite see the point. To quote the critic David Aylward, as I very often do: ‘writers [of horror fiction], who used to strive for awe and achieve fear, now strive for fear and achieve only disgust’ – and it seems to me that too much straining for terror is wont to produce nothing more than a disgusting dump. If I can’t approach awe, I’d rather try for the other quality I value most in dark fiction, not exclusively in generic horror – a lingering disquiet. I may have felt that way ever since I first encountered Herman Melville’s ‘Bartleby’ in the 1957 anthology BEST HORROR STORIES and didn’t feel cheated out of any of the pocket money I’d saved up to buy the book. Soon I found the quality in work such as the novels of Thomas Hinde and Samuel Beckett, not to mention films such as Last Year in Marienbad and Los Olvidados. I see no reason why fiction packaged as horror can’t achieve these effects of disturbance and dislocation. One definition of good art is that it makes you look again at things you’ve taken for granted, and that can certainly be true of horror.”

Work on Escape Artists

Pseudopod

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